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# **Lèt ki rive twò ta** ### **Sèn 1 — Fèt bò lanmè a** *Solèy la ap kouche. Carl ak Sami chita bò lanmè a, youn bò kote lòt.* **CARL:** Yon jou, n ap bati yon ti kay toupre lanmè a. **SAMI:** Epi chak swa, m ap chante pou ou pandan solèy la ap kouche. *Yo souri epi yo kenbe men.* --- ### **Sèn 2 — Mural ap gade yo** *Yon ti distans pi lwen, Mural ap gade Carl ak Sami. Li parèt fache ak jalou.* **MURAL:** Mwen pap kite yo rete ansanm. --- ### **Sèn 3 — Fo mesaj la** *Yon swa, Mural pran telefòn Carl. Li voye Sami yon mesaj tankou se Carl ki ekri l.* **MESAJ:** “Mwen bouke ak relasyon sa a. Mwen pa renmen w ankò.” *Sami li mesaj la. Je l plen dlo. Li eseye rele Carl, men nimewo li bloke.* --- ### **Sèn 4 — Fo lèt la** *Mural montre Carl yon fo lèt, tankou Sami te ekri li.* **MURAL:** Men sa Sami ekri sou ou. *Carl li lèt la, li blese anpil. Li pa chèche mande Sami si sa vre. Yon ti tan apre, li pati al chèche travay nan yon lòt vil.* --- ### **Sèn 5 — Verite a parèt** *De mwa pase. Sami rankontre yon ansyen zanmi Carl, ki rakonte l sa Mural te fè.* **ZANMI CARL:** Mural te bay nou fo mesaj ak fo lèt. Carl te kwè se ou ki te rejte l. *Sami kouri al chèche Carl. Li wè l ap monte nan yon kamyon pou l kite vil la.* **SAMI:** Carl! *Carl tande vwa Sami. Li desann nan kamyon an, epi yo kouri youn nan bra lòt.* --- ### **Sèn 6 — Aksidan an** *Syèl la vin nwa, epi gwo lapli kòmanse tonbe. Carl ak Sami sou wout pou yo retounen. Yon machin ki t ap kouri twòp pèdi kontwòl.* *Carl pouse Sami sou kote pou pwoteje l. Sami tonbe atè, men Carl blese grav.* --- ### **Sèn 7 — Lèt la** *Nan lopital la, Sami chita bò kabann Carl la. Carl pran men l, li souri dousman, epi li fèmen je l pou dènye fwa.* *Apre antèman an, yo jwenn yon lèt Carl te ekri pou Sami, men li pa t janm voye.* **LÈT CARL LA:** “Mwen pa t janm sispann renmen w. Si mwen te pèdi w, se paske mwen te kite manti pale pi fò pase kè m.” *Sami sere lèt la sou lestomak li pandan lapli ap
A US Army person working on a Jeep Willys during World War II with noises that would be heard while working on a Jeep, an artillery gun on wheels is sitting in the background, dramatic war time music playing the background
Cenas e fala (use o texto exato) 1 (0–7 s) Capitão ergue a mão num gesto de atenção, depois sorri para a câmera. “Atenção, atenção, senhora Lillian! Aqui quem fala é o seu capitão, com uma convocação muito especial!” 2 (7–15 s) Leve aproximação, ele aponta para o horizonte. “Por determinação das suas filhas, a senhora está convocada para uma viagem inesquecível a bordo do Costa Diadema!” 3 (15–29 s) Plano médio, tom animado, gesto de relógio e de “malas prontas”. “A data do embarque será dia vinte e nove de novembro de dois mil e vinte e seis. A senhora deverá se apresentar para o embarque às quatro horas da manhã, com as malas prontas e o coração preparado para viver uma grande aventura!” Pausa (~1,5 s) Ele para, respira, olha emocionado para a câmera. A música suaviza e cresce. 4 (30–42 s) Voz mais calorosa, sorriso emocionado, câmera se aproxima. “Neste Dia das Crianças, suas filhas decidiram presentear a menina que continua viva dentro de você. Porque não existe idade para sonhar, se divertir e descobrir novos horizontes!” 5 (42–47 s) “Sua missão será descansar, sorrir e aproveitar cada momento em alto-mar.” 6 (47–55 s) Ele bate continência, depois abre os braços com um sorriso. “Prepare-se, Lillian! O Costa Diadema espera por você. Com muito amor das suas filhas… seja bem-vinda a bordo!” 7 (55–60 s) Tela final Fundo azul-marinho com dourado, ondas suaves, música no ápice e fade out: CONVOCAÇÃO ESPECIAL PARA LILLIAN Costa Diadema Embarque: 29/11/2026 Apresentação: às 04h00 da manhã Uma viagem inesquecível! Com amor, suas filhas. Dicas de produção • Gere cada cena separadamente (8 a 14 s), repetindo a descrição do capitão para manter o mesmo rosto, e junte no CapCut ou similar. • Se a voz sair com sotaque estrangeiro, use uma ferramenta de voz em pt-BR (ElevenLabs, HeyGen) e aplique o lip-sync depois. • Coloque a tela final e as legendas na edição, não na geração: IAs costumam errar texto e datas. • A pausa emocional está antes de “Neste Dia das Cri
eine schmutzige küche wo alles herumliegt schmutzig ist geschirr überall kommt ein paar und räumt es innerhalb von sekunden auf sie gucken sich erleichtert an und kochen wieder und schon wieder ist alles schmutzig sie gucken sich besorgt an und schnaufen
🐒 القرد الأول: يا جماعة، سمعتوا عن أكاديمية نجوم المستقبل؟ 🔥 🐒 القرد الثاني: أكيد! هذي الأكاديمية تصنع الأبطال وتجهّز نجوم الملاعب! ⚽ 🐒 القرد الأول: واللي يظن المنافسة سهلة، ينتظر ويشوف! 💪 🐒 القرد الثاني: أكاديمية نجوم المستقبل… اليوم موهبة، وبكرة نجم! 👑🔥
Create a 12-second colorful 2D cartoon animation for a school project. Show a young boy running on a beautiful green grassy field under a bright blue sky with fluffy white clouds. The boy runs toward a black-and-white soccer ball, kicks it strongly, and the ball flies high into the sky with smooth motion trails. The camera follows the ball upward. Then a large, fluffy white cloud-shaped speech bubble appears in the sky with a soft blue outline. Display this exact Arabic text clearly inside the cloud: اللاعب : عزان القاسمي الصف : ٤ / ٧ Keep the Arabic text correctly written, right-to-left, large, centered, and easy to read. Keep the boy, football, grass, and sky in a consistent cartoon style throughout the animation. Cheerful school-project atmosphere, smooth animation, bright colors, 16:9 landscape format, no extra text, no logos, and no watermark. Hold the final scene for 3 seconds so the name and class are easy to read.
Create an original 2D adult animated comedy series called THE RECEIPT DEPARTMENT. EPISODE 1: “OIL BE SEEING YOU” Target runtime: 20 minutes. Genre: Adult animated satire, dark comedy, celebrity culture, social commentary, absurdist humour. Audience: Adults. Visual style: Original hand-drawn 2D cartoon aesthetic, expressive faces, bold outlines, exaggerated body language, vibrant urban backgrounds, cinematic framing, visual gags, sudden reaction shots, surreal cutaways, dramatic zooms and intentionally awkward pauses. Do not copy the exact designs or distinctive visual style of any existing animated series. CHARACTER CONSISTENCY: Keep the same face, skin tone, hairstyle, clothing, body proportions, personality and voice for each recurring character in every scene. MALCOLM “MACK” MERCER: Skeptical Black male podcaster, early 30s, short hair, green bomber jacket, cream shirt, dry sarcastic voice. Investigates celebrity culture. TASHA BYTE: Black female fact-checker, late 20s, curly h
Create an ultra-realistic cinematic 8–10-second video from the uploaded photo. Preserve the woman’s exact identity: facial features, face shape, eyes, lips, skin tone, and long dark hair; keep her recognizable throughout. She stands by a rocky shoreline in an elegant flowing black dress, surrounded by rugged black cliffs, a wild deep-blue ocean, and a dramatic stormy sky. Powerful waves crash against the rocks, producing white foam and sea mist. Wind naturally moves her hair and dress. Use continuous realistic wave, foam, mist, hair, and fabric motion. She makes subtle movements with a calm, confident, mysterious expression. The camera slowly glides forward. Dark ocean aesthetic, dramatic natural lighting, navy and charcoal tones, photorealistic skin and water, cinematic contrast, atmospheric depth, 4K, smooth motion. Make it a seamless loop: match the first and final frames, maintain continuous wave motion, and avoid abrupt transitions or camera movement. No face distortion, identity changes, extra limbs, flickering, artificial motion, text, or logos. Include natural ocean and wind ambience.