From the community
Handheld camera with natural shake and drift, raw documentary energy. створи відео у стилі експресионізму, яскраві насичені кольори, дивакуваті форми та емоційна експресія, які привертають увагу глядача до конкретних емоцій. Колоритна Кухня у сільській хаті закарпаття, на стіні висять сковорідки, різне кухонне приладдя, в'язка сушених грибів, на поличках різні наливки. Звичайна стара плита, на плиті величезний казан на вогні, Кришка підскакує на казані і йде пара. Біля круглого слолу дві жіночки років 45 пишних форм. Одна з рудим кучерявим волоссям в цвітастому халаті та білій у блакитну квітку хустіні відчайдушно ємоційно місить тісто. Друга жінка трохи вища ростом з великими грудями, вдягнена у червоний сарафан з декольте, заплетена чорнява коса, ліпить вареники. На столі стоїть тарілка з вишнями. (Основна анімація це рухи жінки, яка ліпить вареники і посміхається, рухи жінки яка місить тісто та щось розказує, киплячий казан на плиті, де рухається кришка і йде пара)
Create a realistic 10-second vertical video, 9:16. Close-up of a woman with calm, natural-looking facial skin in soft neutral lighting. Seconds 0–3: her face looks calm, the skin tone is even. Seconds 3–6: she becomes slightly nervous, her expression changes subtly, and a natural flush gradually appears on the cheeks and around the nose. Seconds 6–8: show a delicate semi-transparent medical visualization beneath the skin: nerve signals activate and small facial blood vessels gradually expand. The effect must be subtle, elegant and medically realistic. Seconds 8–10: return to the normal view of her face, now visibly but naturally flushed, with mild redness on the cheeks and around the nose. The same woman must remain recognizable throughout the entire video. Static camera, smooth transitions, realistic skin texture, no dramatic acting, no beauty filter, no text inside the video. Avoid any exaggerated or unrealistic effects. Do not show acne, pimples, pustules, wounds, scars, swelling, severe inflammation or intense redness. Do not create glowing, neon or unnaturally visible blood vessels. Do not use horror effects or show exposed tissue. Do not change the woman’s facial features, age, hairstyle, skin texture or identity during the video. Avoid facial distortion, asymmetry, morphing, flickering, sudden movements, unnatural expressions, beauty filters and plastic-looking skin. Keep the camera completely still. Do not add text, captions, symbols, medical labels, extra people or unrelated objects.
Кинематографичное реалистичное видео, продолжение сцены из кафе. Тот же молодой парень с голубыми глазами, длинными ресницами, аккуратной небольшой бородой и причёской полубокс. На нём белая рубашка, тёмно-синий пиджак и чёрные брюки. Парень выходит из уютного кафе с пакетом еды в руках. Камера плавно следует за ним сзади, затем переходит на боковой план. На улице возле кафе стоит скамейка, на которой сидит бездомный мужчина в старой одежде. Парень замечает его, подходит, присаживается рядом и с доброй улыбкой протягивает пакет с едой. Бездомный удивлённо смотрит на парня, принимает еду и благодарно кивает. Парень отвечает тёплой улыбкой. Атмосфера доброты и человечности. Мягкий вечерний свет, реалистичные движения, естественная мимика, малая глубина резкости, плавная работа камеры, киношная цветокоррекция, 4K, без резких переходов. Сохранить внешность, одежду и причёску парня такими же, как на исходном изображении. Не менять лицо персонажа.
Visual: A close-up of slow, swirling liquid acrylic paints blending on canvas, vibrant blues and fiery oranges colliding with mesmerizing velocity. The camera gently glides overhead, circled by soft, golden studio lighting that casts subtle reflections off wet surfaces, emphasizing the fluid texture. Audio: Ambient hum of an art studio mixed with faint brush strokes and soft gliding sounds of the paint spreading. Midway, a calm, measured voice of an elderly artist states thoughtfully, “Each flow tells a story unspoken,” timed with the paint’s convergence. Soft, rhythmic water droplets splash lightly as paint drips off the brush’s edge.
Photorealistic handheld video inside a busy diesel repair shop. A broken diesel pickup sits with the hood open. Three dirty mechanics stand in front of the engine holding wooden crucifixes toward it like they are performing an exorcism. They are completely serious and intense. The truck engine violently shakes and makes horrible knocking sounds. ONE mechanic aggressively raises his crucifix toward the engine and screams exactly: “THE POWER OF CHRIST COMPELS YOU!” The other two mechanics remain silent and stare at the engine. The scene looks like a serious horror-movie exorcism, except they are exorcising a broken diesel truck. Realistic mechanics. Realistic truck. Natural movement. One continuous handheld camera shot. No cuts. No subtitles.
8-second photorealistic comedy commercial. Single continuous cinematic shot inside a real American diesel repair shop. A large diesel pickup truck sits in the center with its hood open. Three greasy mechanics stand around the truck as if performing an absurd exorcism on the vehicle. One mechanic firmly holds a wooden cross toward the ENGINE BAY. Another mechanic holds an open automotive repair manual like a priest holding a holy book. The third mechanic cautiously stands behind them holding a diagnostic scanner. The truck suddenly shakes violently and the engine makes horrible mechanical knocking noises. The lead mechanic raises the cross toward the engine and dramatically yells: “THE POWER OF CHRIST COMPELS YOU!” The other mechanics look genuinely terrified but remain serious. Immediately after he says it, the engine backfires loudly and everyone jumps. Realistic human anatomy, realistic hands, realistic tools, realistic diesel repair shop. Dark cinematic lighting but clearly comedic. Camera slowly pushes toward the mechanics and truck. No cuts. No subtitles. No text. No music. Dialogue must be spoken exactly once and only by the lead mechanic.
太った体重130キロの女と同じ身長で50キロのヤセ男の相撲対決 女の圧勝
Genre: Faith / Drama Story: A young man notices that his church is full of people who look happy but are secretly struggling. He begins talking to them one by one and discovers that the church needs more than beautiful services—it needs people who genuinely care. Message: Church is not just where people gather. It is where people should find grace, truth, and love. Ending idea: The final scene shows the church serving people outside its walls.
